Labour History News
Work
History and Society ‘Work’ Section Sylvie Contrepois, Martin Petitclerc, Patricia Toucas Echoing contemporary debates on the importance (or the end?) of work, this section aims both to provide an attempt at a historiography of work and to focus on the debates about how best to locate the place of work within a holistic social history. If today there is an implicit consensus defining work as ‘activity that is organised, dedicated and remunerated with the final objective of the production of a good or a service’, it is also clear that in wage-earning societies, work is at once both structuring and ambiguous. A factor of production, it is a cost that employers wish to lower and a source of alienation for the employees. An activity recognised as creating social cohesion, it is equally an instrument of social control. Finally, an act of survival, of the organisation of society and of the construction of individuality, it is also viewed as a source of progress and of human achievement. Beyond a focus on the act of production itself it is therefore necessary to raise questions about the organisation of wage-earning societies. We suggest that they are the product of compromises that shape simultaneously: Introducing the Column 'Images' This column is devoted to the historical analysis of all contemporary representations (iconography as well as social or literary ones). Its purpose, in the European section of the review, is to allow a better and broader approach of the image, in order to include it in our vision as a social historian. The social historian will be thus able to comprehend the tie between representations and realities in social life, and furthermore to rebuild a precise social experience, which it is the only one to explain. In that way, the historian's work will not consist of joining reality to images as a mean of illustrative document, but of understanding a piece of art (or symbolic work) and a particular time. This column attempts to enhance the image for its original documentary value, which historians too often reject. It includes an article (about 30 000 signs) concerning European matters, with the possibility to be compared to an extra European country. This article encloses introductions of various types of connections of history with image, discussions raised by the column writers (with a possible participation of art historians, cinema historians or others professionals) information, and bibliographies introducing books published in several European countries (as for major books, summaries may be included in the column named after the review title) concerning the links between image and social history (about 10 000 signs). Suggestions must be addressed to the person responsible for the subject, written in French, English or, failing this, in any other European language as follows : 1) Name, first name, date of birth of the author. Research work carried out, the university you are attached to. A minimum of references are required but the quality of the project and synopsis will be decisive, more than previous achievements (degrees, etc.). Young Master's Degree researchers and doctoral students are welcome ! 2) Synopsis of the paper (one page). Suggestions on the topic must be sent to: Jean-François Wagniart Posted: 25 July 2001
European Journal of Social History
Suggestions on the topic must be sent to: Sylvie.CONTREPOIS@wanadoo.fr.
38 rue des Touranies
91530 Le Val St Germain
FRANCE
Tel: 01.64.59.04.48
01.40.36.18.06
email Wagniart@club-internet.fr
